I am selling a few online classes on this blog and 2 of them (26 weeks of inspiration and training and 12 weeks of drawing explorations) are built around assignments and feedback I give to artists. The way it works is participants fill out a form at the end of each assignment and they share a picture of what they did as well as comments on their inspirations, techniques or challenges and I email them feedback.
I think it is true that teachers learn from their students. After looking attentively and almost daily at many pieces of art for the last 3 years, I think I am starting to get a more precise picture of the common struggles artists are facing and also the things that are holding us back. Of course every artist is unique but we tend to share common challenges.
One of the things that are holding us back is sometimes a fear of risk taking; risk taking in style or subject matter but also risk taking in scale and time spent on a painting. I am often encouraging artists to push their limits a bit more, paint bigger, add more details, push that idea a little bit further.
Art that falls short often does so not because the artist failed to meet the challenge, but because there was never a challenge there in the first place.
About style and subject matter I think that most of the time, risk taking is rewarding, playing it too safe usually ends up in art that is somewhat too consensual, already seen many times and not that exciting.
On scale and time spent, many factors can go into play including the fear of wasting costly art supplies, the fear of not being good enough as an artist or the fear of wasting time if we don’t like the end result.
Failure for an artist is always an interesting lesson learned and a sign that you are making progress. After all, if all your attempts are always successful, it might be a sign that you are playing it too safe or that you found a formula that work but are stuck repeating that same formula over and over.
I am a Blick Art Materials affiliate and I receive a small compensation for sales. That does not effect in any way the cost of the purchaser’s order but it helps me keeping the content of this blog free.
Incredibly flexible, Golden High Flow Acrylics have an ink-like consistency that lends itself to a wide range of techniques painting, drawing, staining, glazing, inking, hand-lettering, airbrushing, and more. – High Flow Colors, Set of 10
There is something more physical, working with wider gestures when working on a larger scale that changes the way you paint and the outcome. You can use your hands to spread the paint or even a turkey baster to add paint!
You can also try pushing your limits in terms of patience. I often do that and find myself in a situation of doubt saying to myself “What did I get myself into?” repeatedly. I now start to recognize that as a positive sign and have been rarely disappointed by the results of trying to push my patience to its limits.
Have you tried to paint big? Have you pushed the limits of your patience? Did you enjoy it ?
Feel free to share pictures of your paintings in the comments
Originally from France, I have been living in North Vancouver, Canada for the past 20 years.
My work has been collected and exhibited extensively in Canada and internationally. I am also part of the Art Rentals and sales program of the Vancouver Art Gallery.
Many of my paintings have been published in Art books and magazines (Artist Magazine, Watercolor Artist Magazine, Acrylic Magazine, International Artist Magazine). I wrote 2 art instruction books with North Light/F+W Books.
I have been writing for the last 5 years for my blog: paintingdemos.com, that has a mailing list of about 10 000 subscribers and about 20 000 visitors per month.
I am an active member in the community, as a co-founder of the North Shore Art crawl, a co-founder of a weekly life drawing group, a board member of the North Vancouver Arts Council, and have been invited as a juror for public art, art grants and juried exhibitions. You can read more about my collaborations here.
