Mounting watercolor paper on board
October 16, 2012 2024-05-09 12:31Mounting watercolor paper on board
Mounting watercolor paper on board
Princess Park, mixed media on board
You might like painting with watercolor but become frustrated with the framing and matting process. Learning how to mount watercolor paper on board can be the solution. I also personally like a simpler look and want to avoid the glare of glass.
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Here is how to mount watercolor paper on board
You will need:
- A board
- Extra heavy gel medium, I used Golden extra heavy gel medium
- Watercolor paper or a finished watercolor painting
- A stiff brush
- A spatula to help with the spreading of heavy gel (optional)
- A clean brayer
- an X-acto knife
You have to ways of mounting watercolor paper on board:
- You can do it with your white paper,let it dry and then paint afterwards.This technique has the advantage of stretching your paper at the same time you are mounting it.
- Alternatively, you can mount your painting after it has been painted. The advantage here is that you are sure you like the painting before you start mounting it, but you also have to be very careful not to put any of the medium on the painting. Click here to see a tutorial on how to mount your painting on board : How to mount a watercolor painting on board
I did apply gesso and left it to dry on the board before starting the process of mounting the watercolor paper, I later learned that it was not a necessary step as the gel medium will act a a barrier between the wood and the paper as you want to avoid the acidity of the wood to come in contact with the acid free paper.
I am a Blick Art Materials affiliate and I receive a small compensation for sales. That does not effect in any way the cost of the purchaser’s order but it helps me keeping the content of this blog free.
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Golden Acrylic MediumsRange of consistency from pourable to moldable, with various levels of finish and transparency. Create glazes, extend paints, build texture, change finishes. Gel types: Soft, Regular, Heavy, Extra Heavy, and Pumice. |
Apply the heavy gel on the board being careful to spread it evenly and along all the borders and corners.
Then place the watercolor on the board and use a speedball brayer to make sure you don’t leave any bubble under the paper.
I am a Blick Art Materials affiliate and I receive a small compensation for sales. That does not effect in any way the cost of the purchaser’s order but it helps me keeping the content of this blog free.
Speedball Hard Rubber BrayersA hard synthetic rubber roller (80 durometer) makes these brayers ideal for light carving or gluing applications, and excellent for rolling down print surfaces. – Deluxe Brayers |
Leave the gel to dry overnight, if possible with a heavy pexiglass sheet on top, you could use glass or a lighter sheet of pexiglass and put some weight on it. If you don’t have any glass or pexiglass you can put some weight on the corners so they don’t curl up while drying, or place the board face down on a clean surface.
Let everything to dry overnight.
Then trim the sides with an x-acto knife. The sides can also be sanded if needed.
I did also experiment with lighter papers, like a drawing paper ( 90 lb), the same method is working well although I did get a few wrinkles, especially in the corners.
Comments (80)
Sherree Rodriguez
Hi Sandrine,
I really appreciate this great tutorial! I just completed my process and am nearly ready to paint. My problem was that I had difficultly trimming the paper evenly with the x-acto knife. And a tiny bit of paper on one corner has a surface layer that has curled up a bit. Any thoughts on what might make this go more smoothly on the next project?
Thank you!
Sandrine Pelissier
Hi and thanks Sheree :), yes the corners are always a bit more tricky. What I am doing is I pay extra attention to the corners by adding more gel medium.
I am also making sure the blade on the x-acto I am using is very sharp.
nancy
Very helpful. what kind of boards are archival? Thanks.
Isabella
Sandrine,
I have been mounting my finished watercolors on panel and sealing with Dorland’s wax and am loving the result !
I want to ask you this: I like to paint a lot of very wet on wet. I am wondering what will happen if I mount the paper first, let it dry and then paint heavily wet on wet ? Any experience with that ?
Sandrine Pelissier
Thanks Isabella, that is a good question.
Yes I did that many times and I love it.
At the same time you are mounting the paper, you are stretching it and it is so attached to the board that it won’t buckle when you are painting wet into wet or with a lot of water.
Francine T Jones
Step #1 – What type of board???? Thank you.
Sandrine Pelissier
I am using a wood cradled panel, like those ones:
https://store.opusartsupplies.com/sagro/storefront/store.php?mode=browsecategory&category=147
Wendy
If you are here in BC you can find the cradled boards at Walmart and Dollarama. Not the same sizes as Opus but they are a lot cheaper and just as good as the Opus ones.
Karen Andrick
Very helpful information, and well described. Thanks.
Sandrine Pelissier
Thanks Karen đŸ™‚
Brenda
Hello Sandrine,
I love your work, I’ve been following you for a long while now, and I have really enjoyed your tutorials. They are all so helpful, informative and fun! I have used this method of applying Dorlands wax, after reading your tutorial, and I love that I can hang my work without matting and framing it! My question is this: you mentioned in another response that Dorlands does not provide UV protection, is there something that I can spray on my painting first, before I seal it with wax, that would provide UV protection? And is it safe to use two different treatments together or will it harm the painting?
Sandrine Pelissier
Thanks Brenda, I am glad you like the blog.
I looked for product that would be just a UV protection without varnish and saw that Krylon has a fixative for fine art like this:http://www.krylon.com/products/fine-art-fixatif/
If you want to try it, I would do so on a sample to check it it changes the colours or the finish of your watercolor. And then apply the wax after and wait a bit to see if there is any interaction. Feel free to share your results here if you try it.
My advice would be to use high quality paints that are lightfast and to display your art away from direct sunlight. That is usually enough to make sure the colours won’t fade.
Gabriela
Dear Sandrine, thank you very much.
I would like to try mounting the paper while it is wet, so as to strech it at the same time… Hopefully it will work. My question is, should i try this on a wooden board as it ia, or should I put some varnish on the wood first (like the kind you would put when building a wooden shelf etc). Also, i don’t think I can find the glue you recommended where I live, I will look for something else instead. Are the 2 important things that I should be looking for : thick consistency and acid-free?
Again thank you very much! Gabriela
Sandrine Pelissier
Hello Gabriella. I am using heavy medium as a glue. The advantage is that it is acting as a barrier between the wood and the paper, a bit like varnishing would. You don’t want acid from the wood to go on your acid free paper.
Yes if you substitute medium for glue, I would look for something a bit thick and acid free. Painting a layer of varnish or medium before on the wood is a good idea too.
Andrée Lachance
Thank you for this tutorial. I have to try this method. Free from frame and glass at last? This mounting would look especially nice for abstract and modern look paintings.
Sandrine Pelissier
Yes, I also like the more simple look without mat and frame.
Karen
Thanks, I found this very interesting, would I be able to mount the paper on a wrapped canvas instead of the wooden.
thanks,
Karen
Sandrine Pelissier
You could try, I know some artists do it but I have not tried it yet. If you try it, let me know how it went đŸ™‚
Steve
Your info. on mounting watercolour paper on board is very interesting and clear. I will try it, anything to get away from glass.
I am a bit confused about the process of applying varnish to the painting.
As I understand it an acrylic coat must be applied before the varnish is applied, is that correct.
I am also unfamiliar with the waxing process people discuss.
Your comments would be appreciated. Thank you for the board mounting info. maybe no more mats and glass
Sincerely Steve
Sandrine Pelissier
Thanks Steve đŸ™‚
For varnishing, I recommend you spray a first layer of fixative before varnishing, or you can also spray a first layer of varnish. You can read more about finishing options for paintings here:
How to finish and display your mixed media paintings on paper : A few options
Wax is another option to finish a watercolor painting and you can read about it here: How to apply a wax finish to a watercolor painting mounted on board.
I also am not a big fan of framing đŸ™‚
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Bix
How would you finish this process off as the painting won’t be under glass. Would you varnish it?
Sandrine Pelissier
Yes, I would either varnish or apply a wax finish to the painting.
Shelly
Hello….Love your tips….I haven’t painted for a couple of years now but think it is time I try bringing out my watercolors….I like the idea of mounting the watercolor paper onto the boards. What type of watercolor do you recommend? Arches 140LB Cold Press? And what size Brayer? I usually work with small pieces. Thanks
Sandrine Pelissier
Thanks Shelly ,
I personally like to work on hot press paper but cold press will work as well. 140 lb or 300 lb are better. 90lb works but you might get a few wrinkles.
For the brayer, the bigger the better, I think mine are about 3 inches wide.
Dawn
Hello…thank you for the great information. I have these huge portraits; 60 x 40 1100lb watercolor paper; I used watercolor and acrylic on them and coated them with gloss medium and varnish. I wanted to create a board (much like yours) and mount them onto it. My thoughts are will the golden gel hold my thick paper onto the board?
Best to you and thanks again for sharing.
Dawn Mader
Sandrine Pelissier
Hello Dawn,
Thank you for your comment, that is an interesting question. I would think it will work but to be safe I would try on plain paper first with extra heavy body gel medium and see how it goes. If it works you can still paint on that plain paper after it has been mounted.
Can I ask you where you buy such heavy paper, I would be interested in trying on some.
Cheryl Knowles
Do you mean liquitex super heavy body medium as well as Golden soft gel?
Sandrine Pelissier
To mount paper, you want a heavy body medium as something too liquid will get absorbed by the board too fast. I used the one on the picture: Golden heavy body gel medium (technically more a paste than a gel).
Leslie
Great tutorial! Very helpful tips. I am very glad to have an alternative to framing. Gorgeous work also. I love the light.
Sandrine Pelissier
Thanks Leslie! I enjoy reading your blog đŸ™‚
stanley sum wai lee
i am new in water color
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Linde
Hello!
Love all the info! I am a printmaker and make etchings, lythographs and monotypes combinations. Am also fed up with frames after all these years. Have found some artists with their prints mounted on board and finished with epoxy resin but this is very toxic and troublesome.
Not sure if the golden varnish would work on my heavy printing paper for protection and no yellowing. If anyone has any advice it woyld be great..
Thank you!
Linde
Sandrine Pelissier
Thanks, Linde đŸ™‚
I never had trouble with yellowing but you could make a test to try it. I guess it also depends if your paper is acid free or not, but I don’t think acid free paper with varnish would become yellow.
dsaquarelles
do you use a brush or a spray for the varnish?
I like your watercolor, very beautiful colors.
Sandrine Pelissier
What I am doing now is I spray a first layer of fixative or varnish and then I brush on the subsequent layers.
dsaquarelles
Thank you for sharing, I do’nt like the framing. Very interesting.
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Juan Pablo
Sorry Sandrine Idont Know why my iPad is translating in this Awfull way
Im asking for the gel glue
Sandrine Pelissier
Hello Juan,
no problem đŸ™‚
I am using Golden heavy gel, you can see the details here: https://store.opusartsupplies.com/sagro/storefront/store.php?mode=showproductdetail&product=17634
Juan Pablo
Hi Sandrine
im from Chile ,fantĂ¡stic. Could you plegase TĂ©llez my what. Kindergarten of glue are you using Im not familiar with the stuffit you are calling Gel. Give me even a brand ñame to Finder it or something simmilar
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Angela Fehr
Thank you for this tutorial, Sandrine. I took a workshop with Sharon Lynn Williams and she was mounting her paintings on board, but they were liquid acrylic, so I hadn’t thought of using this method for watercolour. I’m going to have to try this – I get frustrated with the high cost of framing for watercolour, too!
Sandrine Pelissier
Thanks Angela đŸ™‚
JIll
G’day Sandrine
I really love your work, truly inspirational. After looking at “Stick Figures” I immediately went and started painting some trees!
I find the technique of mounting on board very interesting, also varnishing afterwards.
I was hoping you could help me – what exactly is Gator board?
and
What kind of varnish do you use on your watercolours?
kind regards
Jill
Sandrine Pelissier
Hello Jill,
Thanks for commenting, I am glad to hear that you got inspired to paint đŸ™‚
I am not using gator board to paint but regular wood panel. I am not too familiar with the gator board but it sounds interesting.
I bought my wood panels from Opus: https://store.opusartsupplies.com/sagro/storefront/store.php?mode=browsecategory&category=3343
For varnishing I am using a regular varnish from Liquitex, the same one you would use for acrylic.
Hope this helps:)
Sandrine
JIll
G’day Sandrine
Thanks for your swift response – I think I must have read about Gator board somewhere else online and got mixed up when I returned to your site.
Thanks for the link – I am in Australia, but I will check out the link and then see where I can find something similar here.
I am still very much a beginner, and it is so helpful to see different techniques. Bit by bit I am looking at your demo’s – it is very generous of you to share your expertise and creative process, thank you
kind regards
Jill
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Michelle
Where do you get the boards Sandrine?
I’d like to try this. Thanks for the detailed instructions!
Sandrine Pelissier
Thanks Michelle, I bought the boards from the local art store (Opus art supplies : http://opusartsupplies.com/) and also from Currys for some sizes I couldn’t t find in that local store, they have a good selection of all types of cradled panels : https://www.currys.com/
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Anna
Sandrine
Your work is amazing!!!!!! I work with water colors on tradional paper and yupo . After mounting your work on board do still frame with glass as is standard for watercolours. ? Your thoughts would be greatly appreciate.
Sandrine Pelissier
Thanks Anna đŸ™‚
After mounting my work on board I am varnishing it. I might experiment in the future with adding wax as a finish but haven’t tried it yet.
Anna
Thank-you for you response ……. Dou you frame it after varnishing it without putting under glass? Again I appreciate your time. Your water colors are outstanding.
Sandrine Pelissier
Hello Anna, after varnishing it looks like a painting on board so I leave it like this.
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Ginny Zanger
Sandrine,
I too have been experimenting with this technique. I find it helpful to put wax paper over the paper I am mounting when use the roller. Also, starting from the center and rolling out helps eliminate bubbles. I have been coating the pieces with a very thin layer of cold wax – especially when I use yupo with watercolor (which is very fragile if water is spilled on it, as you know).
Thanks for your helpful blog!
Ginny Zange
Sandrine Pelissier
Very interesting Ginny, thanks for commenting !
I really like the idea of wax paper to protect the paper when using the roller.
Coating with cold wax is very interesting as well, what kind of wax would you use? I would really like to try that.
Robert I.
That is both creative and modern (also with the varnish).
I really enjoy your techniques and look forward to your works which, I find, are always atmospheric.
Best,
Robert
Sandrine Pelissier
Thanks Robert for your positive feed back, I really appreciate it đŸ™‚
Pauline
Hello, Thank you for your very cretive and wonderful sharingof information and techniques, I always enjoy them and get lots of ideas and insights! Thanks again
Pauline
Sandrine Pelissier
Hello Pauline,
Thanks for your comment!, I am so glad this gives you ideas, this is what I look for when writing this blog.
Yevgenia
This is cool. I’ve mounted yupo like this before but not watercolor paper. Do you have any mounted works that are older? I’m curious how they hold up. I totally understand your frustration with matting and framing… I hate doing it. I guess it’s watercolor’s trade for being so easy to clean up compared to oils and acrylics.
Sandrine Pelissier
My watercolor mounted on board are not very old but i have friends who have been doing this for a long time with no issue. Are you concerned about an interaction of the gel medium with the paint or paper or by UV and color fading? I do varnish the watercolor after so it is not damageable by water.
The only drawback I see for now is that for most traditional watercolor societies competitions they are not allowing any varnished watercolor.
Yevgenia Watts
Mostly, I am concerned with stuff like corners peeling off or buckling if there is too much water. I guess I’m just gonna have to try it and see for myself đŸ™‚
Oh, I also meant to ask you, do you seal the board before you put acrylic medium on it? I see that you apply gesso..Does that take care of any potential acid leaking from the board into the paper?
Sandrine Pelissier
When applying a thick layer of heavy body gel medium for mounting the paper I am careful to have it all over the surface and also in corners so I didn’t have any trouble with the corners.
I had a bit of buckling on the paper for my first trials but it disappeared when the paper dried. For my last trial I did wet the paper before mounting it so I could stretch it at the same time I was mounting it and it worked well ( paper was Arches 140 lb)
It is better to seal the board before applying gesso to protect from the wood acidity, I found an interesting link on this here: http://ampersandart.com/tips/priming-for-acylic-gesso.html
Let me know how it works for you when you try it đŸ™‚
nscharding88383700
You said, “I did wet the paper before mounting it.”
Did you mean you soaked the paper and mounted it while it was still wet?
Thanks.
Sandrine Pelissier
Yes I did that. The paper has to be wet but not damp though.
Katherine
I’m so intrigued by the idea of mounting artwork on cradled board. One of these days I will get up the courage to try it! Thanks for the tutorial!
Sandrine Pelissier
Thanks Katherine đŸ™‚